Published August 1, 2025 by Savage Realms Press

 

Seeking to understand the recent deaths and disappearances in their town, a disgraced homicide detective and a group of grieving high schoolers unwittingly join forces. But what this ragtag bunch of answer-seekers find will not only force them into a fight to save themselves and their town, but all of humanity as we know it... Welcome to Cedar Mills.

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Dylan James is the author of a dozen plus short stories and poetry publications, appearing in Horror Tree’s Trembling With Fear, Moria Literary Magazine, and more. 

His nonfiction novel BROTHERS peaked at #3 on Barnes & Noble’s History Bestsellers.

His horror fiction novel CEDAR MILLS is set to be published in 2025 by Savage Realms Press.

Published February 13th 2024 by Tor Nightfire

The follow-up to T. Kingfisher’s bestselling gothic novella, What Moves the Dead .

Retired soldier Alex Easton returns in a horrifying new adventure.

After their terrifying ordeal at the Usher manor, Alex Easton feels as if they just survived another war. All they crave is rest, routine, and sunshine, but instead, as a favor to Angus and Miss Potter, they find themself heading to their family hunting lodge, deep in the cold, damp forests of their home country, Gallacia.

In theory, one can find relaxation in even the coldest and dampest of Gallacian autumns, but when Easton arrives, they find the caretaker dead, the lodge in disarray, and the grounds troubled by a strange, uncanny silence. The villagers whisper that a breath-stealing monster from folklore has taken up residence in Easton’s home. Easton knows better than to put too much stock in local superstitions, but they can tell that something is not quite right in their home. . . or in their dreams.

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T. Kingfisher returns to the eerie world of gothic horror with What Feasts at Night, the second novella in her Sworn Soldier series following the acclaimed What Moves the Dead. This novella once again follows Alex Easton, a gender non-binary former soldier with a dry sense of humor, a haunted past, and a knack for running into things that go bump in the night.

This time, Easton heads to their family's old hunting lodge in Gallacia in search of some rest. Naturally,  rest is the one thing they don’t get. The lodge is falling apart, the caretaker has died under bizarre circumstances, and the quiet feels wrong. The longer they stay, the more the atmosphere closes in: disturbing dreams, strange local legends, and plenty of superstition. Familiar faces return, including the ever-delightful Miss Potter, a no-nonsense mycologist who continues to steal every scene with her fungal fanaticism. New faces charm as well, like the sharp-eyed Widow Botezatu with her baleful looks and no-nonsense ways.

While What Feasts at Night trades some of the first book’s energy for a slower, more reflective pace, it still delivers plenty of dread. The horror here is quieter, more psychological, and steeped in folklore and PTSD. Kingfisher’s uniquely dry humor is still present, with sharp, witty banter and Easton's internal dialogue. Easton’s internal battle adds emotional depth to the creeping horror, and the camaraderie between characters brings just enough warmth to offset the gloom. 

While it’s not as fast-paced as What Moves the Dead, What Feasts at Night is haunting in its own way: moody, thoughtful, and quietly chilling. It’s another strong entry in Kingfisher’s growing collection of uniquely strange horror stories.

Published February 20, 2024 by Wednesday Books

E>nemies-to-lovers doesn't get more high stakes than a witch and a witch hunter falling in love in bestselling author Kristen Ciccarelli's latest romantic fantasy
On the night Rune’s life changed forever, blood ran in the streets. Now, in the aftermath of a devastating revolution, witches have been diminished from powerful rulers to outcasts ruthlessly hunted due to their waning magic, and Rune must hide what she is.Spending her days pretending to be nothing more than a vapid young socialite, Rune spends her nights as the Crimson Moth, a witch vigilante who rescues her kind from being purged. When a rescue goes wrong, she decides to throw the witch hunters off her scent and gain the intel she desperately needs by courting the handsome Gideon Sharpe - a notorious and unforgiving witch hunter loyal to the revolution - who she can't help but find herself falling for.

Gideon loathes the decadence and superficiality Rune represents, but when he learns the Crimson Moth has been using Rune’s merchant ships to smuggle renegade witches out of the republic, he inserts himself into her social circles by pretending to court her right back. He soon realizes that beneath her beauty and shallow façade, is someone fiercely intelligent and tender who feels like his perfect match. Except, what if she’s the very villain he’s been hunting?

Kristen Ciccarelli’s Heartless Hunter is the thrilling start to The Crimson Moth duology, a romantic fantasy series where the only thing more treacherous than being a witch...is falling in love.

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Heartless Hunter is a romantic, fantasy tale of forbidden love, political intrigue, and rebellion. As the first installment in The Crimson Moth series, readers are introduced to a world where witches have been relegated to outcasts, hunted by those who once revered them. 

The story follows Rune, a witch in hiding under a false identity in a kingdom where magic is forbidden. By day, she plays the part of a spoiled noble. By night, she becomes the Crimson Moth, a masked vigilante aiding fellow witches escape persecution. But when a mission goes awry, she finds herself on the radar of Gideon Sharpe, the kingdom’s most feared witch hunter. To protect her identity, Rune makes a bold move: seduce the enemy. What begins as strategy quickly tangles into something far messier.

Rune and Gideon’s relationship is laced with suspicion, chemistry, and tension, hitting many of the hallmarks of an enemy-to-lovers romance. Both characters carry trauma and conflicting loyalties, and watching them unravel each other is one of the book’s major appeals. Gideon is the typical brooding anti-hero, but while Rune is a strong lead, her inner conflict isn’t given quite enough nuance to make her stand out. Their chemistry simmers, but the development of trust and intimacy feels somewhat rushed, given how high the stakes are.

Ciccarelli writes in a clear, accessible style, and the pacing is solid, so there’s rarely a dull moment. But the world-building feels surface-level. The political structure, the history of the revolution, and the rules of magic are underdeveloped, making the stakes feel less grounded than they could be. The blood magic system had potential, but it was never really explored the way I wanted it to be.

Heartless Hunter has all the ingredients for a standout romantasy: witches in hiding, a ruthless hunter, a masked vigilante, and a steamy enemies-to-lovers dynamic. I found it entertaining, but it didn't quite rise above the crowd in the increasingly crowded romantasy genre. That being said, it does set the stage for the continuation of the series.  Here’s hoping book two, Rebel Witch, brings more depth to this dangerous world.

Published May 2, 2023 by Entangled: Teen

My twin sister is the true queen of Aryd. She survives, hiding and clinging to life in the desert, while I reign as the false queen alongside the monstrous King Eidolon. There’s only one escape from this gilded prison: Reven. My Shadowraith. My heart. Only the shadows that he struggles to control are growing more sinister, more powerful.

It’s just a matter of time before they turn on him…and on me.

Even escape doesn't mean true freedom, though, when we're still on the run from Eidolon’s unstoppable armies. And when we discover there’s a traitor among us, I have no choice…I must become the queen I was never meant to be.

Because as one evil hunts me, the other loves me more than himself.

And my fate lies with both.

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Abigail Owen turns up the heat in this darker, emotionally intense sequel. The Stolen Throne picks up right where The Liar’s Crown left off, with Meren caught between who she was raised to be and who she needs to become. The stakes are higher, the danger sharper, and the emotional force between the main characters even more devastating. I'm always concerned that I won't remember enough to pick up additional books in a series to follow along, but Owen does a fantastic job of catching you up. 

Meren's personality continues to shine. Her struggle with identity, especially as someone who was born to be a placeholder for her twin sister,  feels real and unpretentious. She's done hiding. She's making impossible choices, stepping into danger, and claiming a destiny that no one ever showed her.  Her entire life has been about pretending to be someone else, so watching her come into her own is super satisfying. And Reven, our brooding shadow wraith? He remains a doozy, so full of angsty feelings. He’s torn by loyalty, by love, by the past, and that quiet control of his starts to unravel. Their chemistry is just as electric as it was in book one, maybe even desperately so now that secrets are unraveling and the stakes are climbing higher and higher. 

There's an urgency to book two that wasn't there for The Liar's Crown. The pacing is tight, with plenty of action and suspense, but what really stands out is how Owen balances that with quieter, softer moments. There are moments of vulnerability that hit just as hard as the big twists. With a lot of moving pieces to keep track of in this story, as well as more twists and higher stakes, it's nice that Owen finds the time to let things pause before the next hit comes. 

The Stolen Throne leaves everything behind, carrying us towards book three, The Shadows Rule All. This YA fantasy takes no prisoners. Do I want a happy ending eventually? Sure. But only after they’ve been torn apart, emotionally flayed, and stitched back together by choosing each other, through the wreckage.

Published June 10, 2025 by Rowan Prose Publishing, LLC;  

Sapphire Imprint
 

To believe in that other world, she must first learn to believe in herself.

The signs were always there.

The footsteps.

The cries.

The melancholy music from a faraway place.

Though Melissa Roberts lives alone, she chooses not to believe in superstitions. Locked in the rational prison of her closed imagination, she must open her mind and soul to that other place before it’s too late.

For the voices are rising.

The footsteps draw closer.

Until the music is deafening.

She must prepare herself. She must become the Straw Girl. They are coming for her.

Fans of "The Invited" by Jennifer McMahon, "The Ghost of Slackwood House" by J.T. Westbrook, and Susanna Kearsley’s "The Shadowy Horses" will enjoy Straw Girl.

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Brigid Barry is a lifelong resident of Maine. A disabled Air Force veteran and blessed parent of twins, she lives on a small hobby farm with her favorite husband and too many animals. "Straw Girl" is her debut book.

www.brigidbarry.carrd.co

Published January 23, 2024 by Page Street Kids

Labyrinth meets folk horror in this darkly romantic tale of a girl who wishes her baby brother away to the Lord of the Wood

Growing up in the small town of Winston, Pennsylvania feels like drowning. Leah goes to church every Sunday, works when she isn’t at school, and takes care of her baby brother, Owen. Like every girl in Winston, she tries to be right and good and holy. If she isn’t the Lord of the Wood will take her, and she’ll disappear like so many other girls before her.

But living up to the rigorous standards of the town takes its toll. One night, when Owen won’t stop screaming, Leah wishes him away, and the Lord listens. The screaming stops, and all that’s left in the crib is a small bundle of sticks tied with a ribbon.

Filled with shame and the weight of the town’s judgment, Leah is forced to cross the river into the Lord of the Wood’s domain to bring Owen back. But the devilish figure who has haunted Winston for generations isn’t what she expects. He tells her she can have her brother back―for the price of a song. A song that Leah will have one month to write.

It’s a bargain that will uncover secrets her hometown has tried to keep buried for decades. And what she unearths will have her questioning everything she’s been taught to fear.

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My Throat an Open Grave is a exploration of folklore, guilt, and the complexities of good and evil in small-town America. Set in Winston, Pennsylvania, the story follows 17-year-old Leah, who, after wishing her baby brother Owen away, must confront the Lord of the Wood—a mythical figure who has taken children for generations. 

Drawing comparisons to Labyrinth might be unfair. Yes, she wished the child away, and has to journey to get him back, but there is no jewelry-crazed Hoggle, tricksy labyrinth, or singing fireys swapping limbs and heads in this story. Nothing as fantastical as the world in which Sarah finds herself. Instead, Leah has to cross the river, find the terrifying Lord of the Wood and trade something of meaning to get her brother back. 

Leah's inner voice takes center stage often. She speaks to and about herself with a level of cruelty that’s difficult to stomach at times. Throughout the story, she repeats the idea that she’s broken, bad, or unlovable, and this negative self-talk becomes a major lens through which we see her experiences. Leah's self talk becomes a way to unravel not just who she is, but how others have defined her. It's heavy (and sometimes annoying).  Leah's journey isn’t just about confronting the Lord of the Wood—it’s also about confronting the narrative she’s been forced to believe about herself. 

While there are supernatural elements, the true horror in My Throat an Open Grave isn’t from the Lord or the forest, it’s in the silence of the town, in what people are willing to ignore, and in the way fear and guilt twist Leah’s choices. While those looking for more in-your-face horror will be disappointed, keep in mind this is rated young adult. I found it less eerie than just sad. 

Published October 17, 2023 by Henry Holt and Co. (BYR)

A bloodstained tale of a girl torn between her vows and her heart, where falling in love may be the deepest sin of all…

Everline Blackthorn has devoted her life to the wardens—a sect of holy warriors who guard against monsters known as the vespertine.

When a series of strange omens occur, Everline disobeys orders to investigate, and uncovers a startling truth in the form of Ravel Severin: a rogue vespertine who reveals the monsters have secrets of their own.

Ravel promises the help she needs— for a price. Vespertine magic requires blood, and if Everline wants Ravel to guide across the dangerous moorland, she will have to allow him to feed from her.

It’s a sin for a warden to feed a vespertine— let alone love one— and as Everline and Ravel travel further across the moorland, she realizes the question isn’t whether she will survive the journey, but if she will return unchanged. Or if she wants to.

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Unholy Terrors is a breathtaking descent into a world of ruined faith, cursed forests, and forbidden love. It’s the kind of gothic fantasy that is full of blood and bone-deep magic and decayed beauty. 

Set in a realm haunted by terrifying creatures called vespertine, the story follows Everline Blackthorn, a young warden bound by duty but born without magic. Her life has been shaped by silence, discipline, and the shadow of her mother’s betrayal. When she meets Ravel Severin—a boy she’s been taught to fear—Everline’s world begins to unravel. Forced into a dangerous alliance to save her best friend, she must question everything she’s ever believed about monsters, loyalty, and herself.

Clipstone’s writing is lush and immersive, filled with grief, rage, longing, and desire woven through every scene. The worldbuilding is gorgeous: ancient cathedrals slowly sliding into rot and ruin, magic that’s as much curse as blessing, and monsters that speak in riddles and memory. There’s an almost reverence for decay and ruin, making the setting feel like a living character in its own right.

The relationship between Everline and Ravel is at the heart of the novel, with their growing connection adding emotional depth to the story. It’s everything a gothic love story should be—slow-burning, feral, and dangerous. Everline and Ravel’s bond is rooted in shared pain and the brutal process of unlearning everything they’ve been taught about good and evil. Their connection is intense, yet tender, and never simple. Their dynamic is layered and complicated, exploring how love, loyalty, and betrayal intertwine in a world filled with secrets. 

Lyndall Clipstone has written a novel that feels like it was pulled from the bones of a dark fairytale—strange and darkly beautiful. Unholy Terrors is more than just a fantasy with monsters. It's about shedding the expectations that bind you, breaking free of old truths, and finding love in the last place you’re supposed to look.

Published March 28, 2023 by Tor Nightfire

A contemporary Southern Gothic from award-winning master of modern horror, T. Kingfisher. A House With Good Bones explores the deep, dark roots of family.

Sam Montgomery is worried about her mother. She seems anxious, jumpy, and she's begun making mystifying changes to the family home on Lammergeier Lane. Sam figures it has something to do with her mother's relationship to Sam's late, unlamented grandmother.

She's not wrong.

As vultures gather around the house and frightful family secrets are unearthed under the rosebushes, Sam struggles to unravel the truth about the house on Lammergeier Lane before it consumes her and everyone else who stands in its way...

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A House with Good Bones by T. Kingfisher is what happens when Southern hospitality meets creeping dread—and then both sit down for a very awkward family dinner. The story follows Sam, a refreshingly snarky archaeologist and bug enthusiast, who returns to her childhood home only to find her usually vibrant mother behaving like a polite, nervous stranger. The usually eccentric house is too clean, too white, the air too still and the garden? Let’s just say it has… opinions. Things go from “Hmm, that’s odd” to “Holy freaking ladybugs” in the best, weirdest way possible.

Kingfisher blends unsettling horror with laugh-out-loud moments in a way only she can. One minute you’re creeped out, the next you’re snorting at Sam’s deadpan commentary. It’s not a scream-fest, but it is eerie and absurd and deeply weird in the way only Kingfisher does. One minute you're reading about ghostly whispers and oppressive vibes, the next you're laughing at Sam's sarcastic inner monologue or her casual conversations about bugs. The horror here is more unsettling than terrifying, but it sticks with you—and there's a wonderfully grotesque twist that really delivers.

The novel spends a lot of time carefully layering tension, hinting at deep-rooted family trauma, strange supernatural forces, and an ominous legacy tied to the grandmother’s influence. But when the horror finally arrives, it feels a bit rushed and underdeveloped. It’s not a bad ending by any means, it’s quirky, bold, and in line with the novel’s tone but compared to the expansiveness of the first two-thirds, it feels like it wrapped up too quickly. Despite that, Kingfisher remains on the must-read list for me. 

Published May 2, 2023 by Tor Nightfire

From USA Today bestselling author Cassandra Khaw comes The Salt Grows Heavy, a razor-sharp and bewitching fairytale of discovering the darkness in the world, and the darkness within oneself.

You may think you know how the fairytale goes: a mermaid comes to shore and weds the prince. But what the fables forget is that mermaids have teeth. And now, her daughters have devoured the kingdom and burned it to ashes.

On the run, the mermaid is joined by a mysterious plague doctor with a darkness of their own. Deep in the eerie, snow-crusted forest, the pair stumble upon a village of ageless children who thirst for blood, and the three 'saints' who control them.

The mermaid and her doctor must embrace the cruelest parts of their true nature if they hope to survive.

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 Cassandra Khaw’s The Salt Grows Heavy is a grim, lyrical horror-fantasy that begins with the mermaid's children having just eaten her prince. Albeit, he wasn't a very nice one. Khaw takes the familiar mermaid myth and completely capsizes it, crafting a story that’s brutal, surreal, and, beneath all the blood and bone, surprisingly tender. It's a novella that defies clear classification — a hybrid of gothic fairy tale, body horror, and lushly poetic prose. 

The story kicks off with the merchildren eating their way through the kingdom. Striking a weird companionship are the murderous mermaid and a plague doctor. She’s a predator, archaic and uncaring, but also deeply introspective. (Of course, she'd have to be since her husband recently cut out her tongue.) The peculiar plague doctor is enigmatic yet witty. The two strike up a friendship and almost coy flirtation.

I've said before that Khaw's writing is not for everyone. It's dense, with each morsel needing to be chewed carefully before being consumed. It’s the kind of language that turns violence into poetry and transforms body horror into something oddly exquisite.  It’s brutal and beautiful, grotesque and captivating. For readers who enjoy language that leans into the stylized and surreal, it’s an enjoyable experience. For many others, it may be a barrier to reading any of Khaw's writing. 

The tone is relentlessly grim, but not without a strange, dry humor that punctuates the story in unexpected places. It’s perfect for readers who enjoy weird literary horror, mythic storytelling, and moral ambiguity. It’s about monsters but also transformation, and what it means to survive when the world sees you as a thing to be used or controlled. This isn't a fairy tale. It's what crawls out of the sea foam after the supposed "happily ever after" is over.

Just like Khaw's expansive writing, The Salt Grows Heavy is not for everyone. If you’re looking for a tightly plotted story with clear moral lines and conventional structure, this probably won’t be your thing. It’s strange. It’s lyrical. It’s emotional. It’s a novella that doesn’t explain itself — it just pulls you under the waves and waits for you to drown.