Seventy years later, Wolfgang Rex, a second-generation hybrid—part human, part Rhodesian Ridgeback—is a retired police detective who runs a private investigation business in Chicago’s Southside. It’s a one-hybrid show; though Rex couldn’t survive without his assistant, the faerie Sally Sandweb.
One night, two vampires visit Rex and offer him a substantial reward for the recovery of a stolen scroll. Later that same evening, Charlotte Sweeney-Jarhadill, a pedigree woman from Louisiana, visits Rex and hires him to exorcize the headless ghost of a Confederate soldier from her home.
To complicate matters, the private detective ends up falling for Charlotte. Meanwhile, the vampires demand results in the search for the missing scroll. When Rex’s assistant Sally goes missing, he must stay alive long enough to find her. Charlotte and the vampires, however, have other plans for Rex.
Excerpt
My name is Wolfgang Rex. I am a private detective. Once upon a time I’d been a police lieutenant. After twenty-five years of service to the city of Chicago, I retired in 2063 and opened up Chi-town Detectives, a private investigation firm.
I’m what they call in the medical books a second-generation Anomalous cross-breed. My father was a cop like me. One night he was out walking his dog, a Rhodesian Ridgeback named Rex. My mother hated that dog. After she died I learned that she had always wished that Rex would meet some unfortunate demise. She got her wish on the night of The Anomaly. My father came home from his walk without the dog—in a manner of speaking. For lack of a better term, he and the dog had fused. And the result was a humanoid—with a hairy body, a tail, and the head of his old dog Rex. My mother was horrified, but my parents were both Catholic. So they stuck it out. I was born in the tenth year of The Anomaly. When I was a kid, my mother used to read me fairy tales. She died before I finished high school. So it goes, like Kurt Vonnegut once wrote. I turned out to be the spitting image of my father post-Anomaly. I lucked out with being born without a tail. My father had somehow managed to keep his human vocal cords. My face was less hairy than his, but our snouts were nearly identical.
Learning to speak with a dog's mouth was tricky when I was coming up, but I eventually got the hang of it. And thank Christ I’d been born with opposable thumbs; otherwise, I would’ve starved to death a long time ago. Still, given that many people melded with inanimate objects—much like that poor bastard who became a stone gargoyle—I constantly considered myself lucky. My father cursed his lot for the rest of his life. Some people, like my old man, never learned to adjust.
You've heard me say it before but I'm going to say it again: I love the private investigator genre, especially when it's combined with the paranormal side of things. Often called urban noir fantasy, it's probably my favorite urban fantasy subgenre. Something about the way it establishes fantasy elements in the backdrop of the city streets and turns ordinary crime into something remarkable appeals to me.
When I saw the cover of To Dream The Blackbane, I knew I had to read it. The cover looks like a typical private investigator fare until you realize that what's hanging out of that trench coat has ears and a tail: Wolfgang Rex, Rhodian Ridgeback hybrid, PI extraordinaire.
In a world filled with fantastical creatures, you certainly need to be unique to stand out and that's something Rex does well. Maybe a little too well since he drew the attention of vampires that want things done yesterday. In true jaded PI form, Rex wags his own tail, and while he does (eventually) get to the bottom of things, don't expect a happily ever after for this bloodhound.
Never fear! There's plenty of backstory to ease you into Wolfgang's world. World building is an area that the author was very thorough. I loved the concept of the Anomaly merging you with whatever you happened to be near at the time, be it animal or vegetable. That in itself makes for an interesting story but blend it with vampires, fairies, and more, and you have yourself a roaring good time.
I will say that some of the language was a tad bit overdone and distracted me from the story at times. For example, calling his gun a "heater" or a "cannon" drove me crazy. I'm sure this was to invoke the film noir style but it just irritated me. At other times, I felt like the descriptions were overstated. This rhetoric had me skimming pages towards the conclusion but for the most part, I enjoyed Rex and his cynical soliloquies.
In the end, Rex demonstrates why it’s better to be the head of a dog than the tail of a lion.
Richard J. O’Brien is a graduate of the Fairleigh Dickinson University MFA in Creative Writing Program. Richard’s novels include Under the Bronze Moon, Infestation, and The Garden of Fragile Things. His short stories have appeared in The Del Sol Review, Duende, Pulp Literature, The Dr. T.J. Eckleburg Review, Weirdbook, and other magazines. Richard lives in New Jersey, where he teaches at Rowan College at Gloucester County and Stockton University.
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