Publication date: February 11th 2021

Links: Amazon | Goodreads

A rash of strange and horrifying births sweeps through London in the new horror thriller from master of the genre Graham Masterton.

A SERIES OF STRANGE BIRTHS

A young woman is rushed to the hospital with stabbing pains. The chief surgeon performs a C-section, and delivers a catastrophically malformed foetus that is somehow alive...

A DEVASTATING ATTACK

Sewage engineer Gemma is plunged into a ghostly darkness in the tunnel where she works. She escapes, but her boss goes missing in the chaos. He is later found alive... but his legs have been severed and his eyes pulled out.

A SUPERNATURAL THREAT

DC Jerry Pardoe and DS Jamila Patel of the supernatural squad must team up once more to solve the mystery and save the city. But, if they are to succeed, first they must delve into the dark arts of witchcraft...

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It's been a long time since a book has gotten under my skin but reading The Children God Forgot, I truly had a moment where I thought "This book is going to give me nightmares." This was a very strange book: deformed fetuses roaming for new wombs to call home, a fatberg blocking the sewer with glowing malformed children taking replacement body parts, and last, but certainly not least, a reanimated witch formed of smoke and vengeance. All of those things individually would be enough of a plotline to carry any horror novel, but together are the things that nightmares are made of. 

Told in varying points of view, the plot on this one jumps around. You get just enough action to draw you in and wonder exactly what the hell is going on when it switches to another POV to pick up where it left off before. Typically, I hate this style of writing, but I will say in spite of that it kept my interest, especially when you have the scenes set as they are. There are occult vibes, as well as police procedural, heavy body horror, and of course, the paranormal. 

I do have to wonder though, as a woman, if this book weighs as heavily on male readers; I would imagine it doesn't. There's a particular horror in simply being a woman and having fears that are unique to the female persuasion alone. The fear of reproduction, of growing a life that is abominable instead of the perfect being it should be, and the fear of being violated. I struggle with that last word because what truly happens here, under other descriptions is rape. Not in the usual sense, but by one of the aborted creatures crawling or attempting to crawl inside another woman's uterus to continue to incubate. See what I mean by horrifying?  

There are also some sociopolitical themes here that are played a bit heavy-handed. The entire novel could be a statement on abortion. Not only do you have the many-limbed but cherub-faced fetus being terminated before term, but there's the woman showing up to punish those who participated in the terminations stating that all life is sacred. I feel like this book should have been written decades ago when racism and homophobia were casual and women were written based on the size of their breasts.

I ended up very conflicted about this novel. In the beginning, it was extremely effective horror. It's definitely a horror that relies on the reader's revulsion over scares. Somewhere in the middle though, the momentum of the plot starting lagging. Then it was a rush to the ending, curt and to the point, without a lot of explanation. This is one of those novels that is either going to leave you checking the sheets before getting in the bed or leave you apathetic. However, one thing is for certain, some of these scenes will continue to play in your head long after you've closed the book.

Publication date: October 28th 2020

Links: Amazon | Goodreads

Ever wondered what it would be like if hunted animals were able to fight back?

The Lodge unveils the mystery of a hunting lodge in the remote hills of the Scottish Highlands during the Christmas holidays. After the report of an accidental death at the lodge, Andrew, a young constable from the nearest town, drives up through a growing blizzard.

Snowbound, Andrew and the guests take cover at the lodge as the terrifying ordeal unfolds. These animals have souls. Souls that won’t rest until they’ve had revenge...

But will the hunters become the hunted?

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I love "when animals attack" eco-horror. It's one of those genres that I do tend to get a bit giddy about simply because I enjoy the concept of animals taking their revenge. The Lodge essentially follows that pattern. A guest at a hunting lodge in the remote Scottish Highlands experiences a harsh end, choking during dinner. Andrew, the constable sent to make sure there was no foul play at hand, then gets snowed in at the lodge with its owners and guests. 

 

There's no wait to get into the action as the guest dies in the first few pages. It's not long after that the weird stuff starts happening and there is plenty of weird. Eco-horror either plays itself completely straight or on the campy side. The Lodge is a strange mix of the two. On one hand, you have a horde of intelligent rats dismantling the vehicles so there is no escape and on the other, you have some Evil Dead taxidermy waling on the wall. There's absolutely some great imagery here though. 

The Lodge has a lot of flashback-style, character backstories, which honestly, didn't really further the book for me and distracted me from the here and now.  Taking the reader out of the story to a backstory blocked the flow of the novel as the flashbacks didn't always feel organic. While show vs. tell has always been a debated writing tool, the info dump chosen often here instead made them feel flat. 

I grew up in a hunting family and my husband hunts. None of my family, even the most enthusiastic of hunters, were ever like the ridiculous caricatures of hunters that are in the book. There are probably hunters out there like this, but I've not met them. On top of that, the actions of the characters just didn't make sense. They all seemed to be stereotypical ideals of what they should be, even the vegans. 

The Lodge seemed to have the perfect formula for a great read. There were multiple storylines that converged in the end, but there really weren't any surprises. It was intriguing enough to be a fast read but the plot seemed to get more convoluted as it went. I liked the idea but found the execution bland. 

Publication date: February 10th 2021
Links: Amazon | Goodreads

Fed up with playing by the rules, recent university graduate/ex-cum laude/ex-soccer star Kera MacDonagh changed her life forever when she read How To Be A Badass Witch. Much to her surprise, the spells actually worked. 

Within the first few weeks of on-the-job training, Kera’s new powers attracted all sorts of trouble. Now hunted as a magical vigilante, Kera stalks criminals in the darkness of Los Angeles while attempting to hide the signature of her supernatural powers. Kept safe by the trusting and kind Kim family, Kera decides to “come clean” to her boyfriend regardless of the consequences. 

With her world turned upside down, Kera struggles to balance her sanity. Will magic be enough to help her come out on top? She hopes so because the other way lies madness. 

About the Author 

MICHAEL ANDERLE has sold over 4,000,000 sci-fi/fantasy books worldwide either under his name or as a collaborator with other well-known authors. Anderle is the founder of LMBPN® (London, Milan, Barcelona, Paris, New York) Publishing, which publishes sci-fi/fantasy fiction by authors from USA, Australia, England, Canada, and various countries around the world. An “Amazon Top 100” ranked author, Anderle is popularly known as the creator of 20Booksto50K® on Facebook. He launched the group with the goal of sharing industry knowledge that helps independent authors to achieve their publishing goals. As a child growing up in Houston, Texas, USA, Anderle read books in the high fantasy and sword-and-sorcery genres and eventually developed a love of urban fantasy and sci-fi. At the age of 47, Anderle began writing full time and has since become a well-known author in the community. Michael Anderle resides in Las Vegas, Nevada, USA. To learn more about Michael Anderle and LMBPN®, visit lmbpn.com.

March is for leprechauns, pots of gold, and lucky charms. 

Maybe you'll be lucky enough to find your next read in this roundup of the month's anticipated horror releases!

(If you plan on purchasing any of the books on this page, it would be awesome if you’d use the affiliate links. This helps to support the blog and doesn’t cost you a thing. Thanks!)

Publication date: February 11th 2021

Links: Amazon | Goodreads

There are few things worse than being on the Arcane Bureau of Investigation’s naughty list.

To keep myself out of hot water, I’ve made a deal with the devil—using my skills as a grave talker to help the ABI solve some very cold cases.

But there is something mighty amiss in this task—especially when quite a few of these cases lead me right back to my home town of Haunted Peak and the secrets buried there.

Excerpt

“Out less than a minute and already talking to spirits and punching ghosts. Way to

go, Adler.”

That smooth voice did not belong to my best friend, J. Oh, no. I wasn’t that lucky.

The big hunk of man-meat Siobhan had been talking about was not my partner, but the

death mage ABI agent who’d simultaneously saved my bacon and torched it.

I swung my head to face Bishop La Roux, straightening my shoulders like I was

going to have to punch him, too.

Dressed in a criminally hot pair of jeans and a T-shirt that should be illegal in at

least five states, Bishop held out a bag with a very familiar logo on it like he was

warding off a lion. Ignoring his messy hair and scruffy beard, I met his coal-dark eyes

with suspicion. But instead of punching him like I had Hildy, I snatched the Si Señor bag

from his hands, opened it, and dug in. The prison fare was a step above cat food, in my

opinion, and just the thought of that yummy bit of heaven made my mouth water.

“Good to see tacos still work,” he said, chuckling. “You need a ride home?”

The last time he’d needed to bribe me, he’d done it with these tacos. Good god in

heaven, I was a pushover. I ignored the ridiculously hot man in favor of unwrapping a

taco one-handed and shoving an end in my mouth. My teeth crunched into the blissfully

crispy half-steak, half-pork taco, and my eyes rolled back in my head.

“Maybe,” I said around a mouthful of food. If he were any other man, I might have

felt weird about my rudeness, but just like Hildy, Bishop was on thin ice. Though, tacos

were an excellent way to strengthen his footing.

That taco was gone in another two bites, and I swallowed the yumminess before

continuing, “How’d you hear about me getting out? Even I didn’t know until today.”

Bishop gave me a sly smile. “A little birdy told me.”

“I suppose you could give me a ride if you don’t have anything better to do,” I

conceded, my tone only mildly petulant.

“No, Adler,” Bishop said, his voice a hell of a lot closer than it had been a few

seconds ago. I whipped my head back to find him solidly in my space. “I don’t have

anywhere else I want to be.”

Well, okay then.

About the Author

Annie Anderson is a military wife and United States Air Force veteran. Originally from Dallas, Texas, she is a southern girl at heart, but has lived all over the US and abroad. As soon as the military stops moving her family around, she'll settle on a state, but for now she enjoys being a nomad with her husband, two daughters, an old man of a dog, and a young pup that makes life... interesting.

Website | Twitter | Instagram | Facebook | Pinterest | Goodreads

 

Publication date: July 20 2021

Links: Amazon | Goodreads

For as long as sixteen-year-old Adele can remember the village of Oakvale has been surrounding by the dark woods—a forest filled with terrible monsters that light cannot penetrate. Like every person who grows up in Oakvale she has been told to steer clear of the woods unless absolutely necessary.

But unlike her neighbors in Oakvale, Adele has a very good reason for going into the woods. Adele is one of a long line of guardians, women who are able to change into wolves and who are tasked with the job of protecting their village while never letting any of the villagers know of their existence.

But when following her calling means abandoning the person she loves, the future she imagined for herself, and her values she must decide how far she is willing to go to keep her neighbors safe.

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Once upon a time, there was a little girl who walked through the dark woods to grandmother's house. Oh, you've heard this story before? I guarantee you haven't heard this version of the story, for you see—in this story, the little girl is the wolf.

This was such a lush and spellbinding version of Little Red Riding Hood. A dark, deep wood encompasses the village, barely kept at bay by those who live there. Only the careful eye of the watch who stand guard with torches keep the threatening woods from encroaching further, or so they believe. There's another watcher in the woods, however. Adele thought she has her life all planned out until she discovers her true fate and everything she thought she knew changes overnight. Thrilling, pulse-pounding danger awaits Adele in the woods and she is uniquely equipped to meet it. Risks and uncertainly await Adele every day and she's forced to make decisions that change her destiny and those of the villagers. 

Blood and savagery are about and it's not only the wood's monsters who are fearfully made.  Rachel Vincent has crafted an environment where deviating from the norm is dangerous, and where secrets must be kept to survive. This is witch-burning territory and it only takes a word to incite the villagers viciously into action. Like the dark woods, Vincent's world is perilous and full of wonder. This is a tale of fur and teeth, haunting and harrowing. 

 

Publication date: Feb 2nd 2020
Links: Amazon | Goodreads

MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN MEETS THE ADDAMS FAMILY IN THIS HAUNTING STORY OF ONE GIRL'S ATTEMPT TO RECONNECT WITH HER MONSTROUS FAMILY.

Eleanor has not seen or spoken with her family in years, not since they sent her away to Saint Brigid's boarding school. She knows them only as vague memories: her grandfather's tremendous fanged snout, the barrel full of water her mother always soaked in, and strange hunting trips in a dark wood with her sister and cousins. And she remembers the way they looked at her, like she was the freak.

When Eleanor finally finds the courage to confront her family and return to their ancestral home on the rainy coast of Maine, she finds them already gathered in wait, seemingly ready to welcome her back with open arms. "I read this in the cards," her grandmother tells her. However, Grandma Persephone doesn't see all, for just as Eleanor is beginning to readjust to the life she always longed for, a strange and sudden death rocks the family, leaving Eleanor to manage this difficult new dynamic without help.

In order to keep the family that abandoned her from falling apart, Eleanor calls upon her mysterious other grandmother, Grandmere, from across the sea. Grandmere brings order to the chaotic household, but that order soon turns to tyranny. If any of them are to survive, Eleanor must embrace her strange family and join forces with the ghost of Grandma Persephone to confront the monstrousness lurking deep within her Grandmere-and herself.

  

Boy, that's a tagline for high expectations, isn't it? This just sounded too unusual to pass by. 

From the start, Eleanor seems to be the most normal of the bunch. After being sent away to boarding school for years and running away from said school, she's looking for love and acceptance. Now that she's home, she's trying to scrape out a place to belong, but like as it was at school, she's on the outskirts again. It's no surprise after not attaining a huge warm welcome from her immediate family and the unexpected death of her grandmother, she reaches out to the only other family she has. Eleanor is ignorant of the world and somewhat bossy in the name of responsibility. While I didn't actively dislike her, I found myself extremely apathetic towards her. Again, this is YA so she fits the naive typecasting that I expected going in. 

Her family, on the other hand, would fit well in with the Adams' family. Her mother is covered in barnacles and spends her time sitting in a washtub full of water. Her grandfather is a shifter who has trouble keeping it reeled in as are her sister and cousin. Her grandmother is a witch. Everyone is very odd, yet seems normal to each other. The characters are definitely one of the best parts of the story. The family dynamics are strange and unusual yet interesting. The gothic atmosphere is incredibly well done here. The run-down house in the woods with the kooky uninviting family; Everything is dark and dreary. 

What Big Teeth is a veritable overload of bizarre, weird, and eccentric people and happenings. Things just happen without explanation and are never touched on again. It's all very vague and initially, the mystery of it all kept me turning the pages, but the novelty of it soon wore off. Just when you think you are finally going to get some answers, there's a very weird romantic arc with Arthur, who we know nothing about other than multiple family members seem to be in love with him. It's a new level of creepy, but an uncomfortable one this time. In the end, it did come together, but I had to push through to get there. 

 

Today's Author Spotlight is horror author Gaby Triana!

Read on for the full interview.

Publication date: February 17th 2021

Links: Amazon | Goodreads

The Craft meets The Shining in this slow-burn Florida gothic horror.

As the only daughter in her Cuban-American home, 18-year-old Valentina Callejas has been raised to do what her Catholic grandmother and mother say to do. But Valentina feels a different pull--an affinity with nature, a desire to read tarot cards and study the occult. After ditching her church's retreat and fighting with her family, Valentina flees her Miami home and ends up five hours away at Macy's house, a sister she's never met until now.

When a mysterious wolf leads Valentina to nearby abandoned Sunlake Springs Resort, she meets the "clairs," young psychics drawn to the hotel's haunted history. They've been waiting for her, they say, to open a magical entryway to the spirit world. But Valentina's sensitive hands tell a different story--of anguished spirits, menacing cracks, and hooded ghosts of Florida's hateful past. Even the local legend, the beautiful Lady of the Lake, all hint to the hotel's sinister history. To protect her new friends from the horrors awaiting them on the other side, Valentina must use her growing powers and decide, once and for all, if she's the witch she was always meant to be.

Where did you get the inspiration to write this story?

I'd always wanted to write a story set in a haunted hotel. In fact, my first ever completed novel is a middle-grade story called FREDDIE AND THE BILTMORE GHOST, set in the famous Biltmore Hotel of Coral Gables, FL. It was never published, but it's the book that got me started in fiction writing. The hotel in MOON CHILD, The Sunlake Springs, is loosely based on the Biltmore. Also, for three years, I kept having visions of an opening scene of a book where a Catholic girl would hide her witchcraft away from her strict grandmother and decided last summer that I had to write it next.

When you developed the characters, did you already know who they were before you began writing or did they develop organically?

Valentina presented herself to me long before I wrote the book, as I said. She was always a witch in the broom closet, and I always knew that would be the basis for her character. Aspects of her personality and story developed later, of course, and some, like her suppressed rage, ended up becoming an important theme of the novel.

Which of your characters was your favorite to write and why?

Besides Valentina, I loved her older sister, Macy. I felt it was really important for Vale to have one person in her life that she could trust, who wouldn't lie to her and would always be there for her, even if she was new in her life. At times, we're not sure if to trust Macy, but that's not because of anything she did. It's because we're experiencing life through Vale's eyes, and Vale doesn't know who to trust.

What was more important to you when you were writing: character development or plot?

In my Haunted Florida series, it's plot a little more than character. In MOON CHILD, I decided early on, it was going to be character all the way. If the plot ended up weak as a result, I'd be okay with that, because this story had always been, since the beginning, about a Catholic Latina's struggle with her hidden identity, and that's what the focus needed to be.

What was one of the most surprising things you learned (about your story, about yourself, etc.) while writing?

I was shocked to discover how much of this book was about me in many ways. Valentina are not copies of each other, but aspects of her personality are, such as all the anger she was holding back. That was like therapy for me.

What books or authors influenced your own writing?

I've always been a fan of Stephen King, Anne Rice, Shirley Jackson, Edgar Allan Poe, and Lois Duncan. Nowadays I don't try and write like anyone else, but these folks definitely influenced my writing.

Do you read your book reviews? What do you consider "good" /"bad"?

I do read them, because I'm curious to see what people liked or didn't like. Also, because I like to see when people are happy with what I've given them. It's the reason I write--to entertain. Bad reviews don't affect me, though. I just shrug and move on.

What led you to start writing?

I've been writing my entire life. My ENTIRE life. :)

What attracted you to the genre(s) you write in?

I love gothic horror because of its moodiness and atmospheric quality. I love old Hollywood black and white 30s movies, I love the notion of abandoned castles, and violins playing in the middle of the night from somewhere behind a hidden passageway. I'm intrigued by secrets and by veneers covering something dark and rotten underneath."

What are you currently reading?

Right now I'm reading Christina Henry's The Mermaid, part of her series of dark retellings of classic fairy tales, although this one isn't about The Little Mermaid, as it sounds. It's about PT Barnum's famous Feejee Mermaid scandal. I just finished reading her other book, The Lost Boy, her take on the origin story of Captain Hook in Peter Pan.

A lot of authors have a soundtrack while writing. Are there are songs you had on repeat?

I actually can't listen to any music while writing. I have a lyrical brain as well as a musical one after years of playing violin, and I can't listen to any kind of phrasing without wanting to hum or sing along when I'm supposed to be crafting a novel. It just doesn't work.

If you could tell your younger writing self anything, what would it be? 

One day, you're going to be co-writing YouTubers Sam and Colby's book PARADISE ISLAND based on their creepy trip to Kauai, and it's going to be fun as hell.

What are a couple of your favorite movies to kick back with to relax?

Young Frankenstein is one of my October classic favorites. I also love Dirty Dancing as a guilty pleasure. It's feminist, sexy, the dancing is great, and the soundtrack is the sound of my high school years. Moana is another favorite. The characters, the music, the grandmother's spirit as a stingray, omg I can't. It's a perfect movie.

Which animal would you say is your spirit animal and why?

A cat. They're cool and aloof, warm and loving to a few select people, loyal if you're loyal to them, and they give silent, deadly looks. When nobody is looking, they're total goofballs.

Would you rather live in a haunted mansion or a cottage surrounded by fairytale creatures?

Oh, haunted mansion without even question. My husband proposed to me at the Haunted Mansion in Disney World, I convert my house to a haunted mansion every October, and I throw badass Halloween parties.

What advice would you like to pass on to aspiring writers that is unconventional but true?

Everyone tells you "write from your heart." I'm going to give you a little bit of weird advice here: Yes, write from your heart, but to a certain extent. If you want to make it as a commercial writer and live off your writing, you also have to learn what readers want. You'll be writing for them more than for yourself. Learn everything about the genre you're writing in, listen to what the readers want, read reviews for other authors, and create a product that only YOU can give. Writing for ONLY yourself yields books that no one but you want to read. There has to be a balance. :)

GABY TRIANA is the bestselling author of 17 novels for teens and adults, including the Haunted Florida series (Island of Bones, River of Ghosts, City of Spells), Wake the Hollow, Cakespell, Summer of Yesterday (a tribute novel to Walt Disney World's River Country), and Paradise Island: A Sam and Colby Story. She's a short story contributor in Don't Turn Out the Lights: A Tribute Anthology to Scary Stories to Tell in the Dark, a flash fiction contributor in Weird Tales Magazine, and the host of a horror-based YouTube channel called The Witch Haunt. Published with HarperCollins, Simon & Schuster, Permuted Press, & Entangled, Gaby writes about witchy powers, ghosts, haunted places, and abandoned locations and has ghostwritten over 50 novels for bestselling authors. Her books have won IRA Teen Choice, ALA Best Paperback, and Hispanic Magazine's Good Reads Awards. She lives in Miami with her family and is at work on her next novel.


Visit her at www.GabyTriana.com
FB: @GabyTriana.author
Twitter: @GabyTriana
IG: @GabyTriana
YT: The Witch Haunt

Gaby, thank you so much for being a guest on Cats Luv Coffee Book Reviews!

Be sure to check out Moon Child on February 17th!

Publication date: October 12th 2020
Links: Amazon | Goodreads

1865

Hanau, Germany

Sixteen-year-old Elva has a secret. She has visions and strange powers that she will do anything to hide.
She knows the warnings about what happens to witches in their small village of Hanau. She’s heard the terrible things people say about the Witch of the North Woods, and the malicious hunts that follow. But when Elva accidentally witnesses a devastating vision of the future, she decides she has to do everything she can to prevent it. Tapping into her powers for the first time, Elva discovers a magical mirror and its owner—none other than the Witch of the North Woods herself. As Elva learns more about her burgeoning magic, and the lines between hero and villain start to blur, she must find a way to right past wrongs before it’s too late.

 

Broken Wish is the first in a series called The Mirror, written by different authors, spanning generations and the curse that afflicts them. Julie C. Dao kicks off the series with Broken Wish, a story of friendship and broken promises. Fractured fairytales one of my favorite things—if it's done right—and I will even read YA if the premise sounds promising. I know, I'm a YA snob. Most of the time it's the angsty romance that I can't do in YA. In fairytale retellings, I'm expecting it to be angsty so it's okay, I guess? (Don't judge me.)

Beginning in Hanau, Germany (the birthplace of the Brothers Grimm, btw), a young woman named Agnes Heinrich befriends Mathilda, and their friendship is sweet and true. Unfortunately, they live in a time where different is to be feared and Mathilda is "different". Agnes and her husband can't have children and Mathilda agrees to help them in exchange for Agnes' friendship. Agnes agrees but breaks her promise to Mathilda, breaking her heart in the process. Years later, Agnes' daughter Elva discovers that she might be able to stop a vision of danger surrounding the village and her parents. She sets off on a journey to discover more about herself and the curse that befell her family all those years ago. That means hunting down the witch who set the curse in the first place. 

I loved this story.  The characters are fleshed out and the writing is beautifully stylized. All the components for a perfect fairytale are here: the witch, the woods, and a mirror. True to Disney style, there is so much to download from this. It's darker, somewhere between Disney and the original Brothers Grimm. There are a lot of Easter Eggs if you are a fairytale fan like me. While there's a bit of romance, there's definitely skew towards friendships and other forms of love like that of family. While it's technically YA, the focus on friendship is almost MG. 

Overall, it's a story that feels true to Disney, about finding out who you are, staying true to your word, and forging ahead even if you don't know how the story will end.